Daniel Lutheran, switch heelflip. Ph: Anthony Acosta
Now this 8-stair angled rail was the only spot from Albuquerque that I actually knew about. (I had no idea about UNM until this summer though.) I remember seeing Daniel Lutheran's New Jack interview in The Skateboard Mag a while back which included a photo of a 360 flip over this very rail. There was something about going over a rail for me at that time that was extremely appealing, so the trick stuck in my memory. The trick later appeared in Daniel's Mag Minute, again instantly sticking out to me as the Albuquerque spot. Since the Lutheran family is from Albuquerque, it makes sense that Daniel can consider this a local spot. And at local spot, you can get multiple tricks. So a bit later, Daniel comes through with a buttery switch heelflip (photo from The Skateboard Mag's Contenders Interview) that appears in his Brainwash part.
With Daniel and the Lutherans as the Albuquerque tour guides, there've been some solid posses coming through the city over the years. On one such visit, Jamie Tancowny came through and landed a pair of tricks himself as he was filming for Stay Gold. First a frontside pop shove it and then an upgrade to the varial heelflip (photo below by Anthony Acosta).
Jamie Tancowny, varial heelflip. Ph: Anthony Acosta
These are the only 4 tricks I know that have gone down at this spot, but please comment below if there are any I missed!
The spot itself is pretty awesome for someone craving some jumping. The set itself is a pretty sizeable 8-stair with decent height and probably slightly longer than a standard 8-stair.
The rail is knobbed obtrusively enough so there's no real chance at an angled grind, except maybe for the adventurous and clinically insane.
But it is placed at a pretty ideal angle for popping tricks over.
There's enough room for run-up, but a little turning to get the right launching angle is needed. It's beneficial in this case to approach with the proper carve to go over the angled rail. And there's the standard crack at the very top stair, so a trick would probably have to be popped about 6 inches before the top stair.
Overall, with really nice ground to ride up with and land on, the spot is a must visit for anyone in the UNM area. If you have the testicular fortitude to chase a trick or two at this spot, there are definitely a few opportunities here!
And the guide for the spot-hunters: (If you go up the stairs at this spot and skate along to the right, you'll end up right at Johnny Layton's Wallride Spot. How sick is that?!)
UPDATE: Looks like Josh Hawkins also wanted some of that varial heelflip action over the rail, as seen in his latest Happy Medium 3 part.
Everyone knows Brandon Westgate skates fast. Just look at this inhuman ollie from Emerica's Made and realize that there's no way he could make it up onto this loading dock without flying in from the car tow-in (besides the pop). Throughout all of his videos parts he comes through with that East Coast Powerhouse style of attacking spots with speed and pop. It's pretty rare to find a clip in his parts that doesn't involve some good speed to the trick.
Starting with Stay Gold, you can feel the speed with the pushing lead up at 0:47 as he gets ready to gap ollie between two banks spaced pretty far apart, banks that are typically only used for some manny tricks. Then at 2:12, Brandon begins the line by lofting a tre flip as the ground flies by and then pops a couple ollies in preparation for a huge gap to lipslide, finishing the line with soaring a front 180 much further past the stairs than necessary, all because of his speed. (This line is cleverly mimicked in Made with a fast gap to smith grind and a backside 360 down the stairs, once again sailing well beyond the last stair.) And at 2:35 you get the start of some high velocity SF footage, from sweet downhill driveway lines to the gigantic house-length ollie at 3:10.
In Brandon's Emerica Shoe Part, the downhill line at 0:46 starts off with nothing special in particular but quickly picks up so that his last ollie across the driveway is another flying moment. I haven't seen many people actually "push" going downhill, but Brandon does it in the line at 1:05 to prepare for a distance-covering frontside big spin, because there is never a thing as too much speed. And then at 3:06, to match his lines from Stay Gold, Brandon delivers two new and improved variations of some downhill lines from SF, of course zooming by at full speed.
One of the craziest clips I can remember from Brandon was the first one in his Real Street part, involving a tall ollie up onto a ledge from a small curb cut and then somehow managing to clear the length of an alleyway afterwards. It may not appear super fast at first but maintaining speed is mandatory to accomplish something like this.
And finally onto Westgate's latest epic video part in Made. The pushing in the title sequence alone is rather stunning because you know of just how fast he skates. The first 35 seconds of skating is all uncommonly fast, including some more sweet downhill SF lines, a couple gap to ledges, and an enormous street ollie. The 3 bleached-hair tricks are all super quick, including my personal favorite drop down ollie to prepare for the huge front 180 over the planter. Westgate's downhill frontside flip at the same sketchy looking spot as Trevor Colden's hardflip and Ishod's backside flip involves a serious switch hill bomb after he picks up a lot of speed from the run up. And then there's the double rail ollie into the bank at the school near the end of the part that again requires a bunch of speed.
Jerry Hsu is my final selection for pros with slams primarily because of his part in Stay Gold (above). The opening minute and a half and more of just bails and freakouts from Jerry edited to the singing of "some days you just can't win" is pure gold for skateboarders. We all know Jerry has had some incredible parts like in Bonus Round and Bag of Suck so his part for Stay Gold was on the shorter side but oh so sweet. LITERALLY, without exaggeration, every single trick in the part was switch minus one nollie back tail (which is still using the nose though) so it simply works to have a part of half bailing and half tricks. As weird as it sounds, watching Jerry's bails and mental breakdowns in this part provide some sort of catharsis for skaters living vicariously through him: as he falls and screams we too feel the pain and frustration, but we also get a sense of relief for not actually having to deal with those situations. Or is just me? Anyway, amidst the first minute and a half of the part, Jerry has some seriously nasty falls. The first clip provides an instant migraine as Jerry finds out what happens when you lose balance before being able to swerve away from a wall. His head hits the wall harder than I've seen anyone else bash their head through whiplash when eating it down a set of stairs. Hitting the corner of the brick wall at 0:50 gives you that instant realization of just how bad that could've been when Jerry points to the corner with a painfully exhausted look. Also, Jerry bail off of the long out ledge at 1:24 just look rough when his legs twist very awkwardly. Not to mention the harsh butt shot at 1:34 on the gap to rail.
The Stay Gold B-Sides are also worth watching for all the raw footage and extra clips that didn't make it into Jerry's part. As for bails, they're not worth spoiling in a list so watching the B-Sides in full would do Jerry and Emerica the most justice.
Also, for some bonus carnage, Jerry's extras from Bag of Suck show some really twisted bails, particularly from 1:14 - 1:43. The bump to dumpster tumble still shocks me.
Heath Kirchart is very mysterious to me. I haven't heard many words from him but I've seen his video parts and they most certainly have some of the groundbreaking tricks and spots for a time. Heath has one of the best styles for skating large hubbas, handrails, gaps, etc. But because of its natural fluidity when he lands, his bails look just the opposite: impactful and awkwardly painful. Take this enormous kickflip above for example: full on commitment to a strong slam into the ground with a rough-looking whiplash.
One of the greatest parts of all time is Heath's part in Sight Unseen and one of the most memorable clips for me was his pair of back to back lipslides down two huge rails. The first one was perfect but the second one resulted in a full body force of a slam into the ground. Just look at 0:52 of the outtakes from the video part to see. Also in the outtakes is Heath's attempt at a huge 5-0 grind down a hubba that he 50-50'd in the part. At 0:10 he has a couple of solid slams trying this, one of which includes a hard head bash against the ground. Along with that is a bail for his ender tailslide gap out at 1:22 where he misses the rail and skips down the last set of stairs straight to his shoulder.
In This Is Skateboarding Heath sticks to the top of a large hubba at 0:53 and falls a long distance down to a bouncy slam. Any bail like this just hurts to watch when you can almost feel the impact of the ground.
In Mind Field at 1:24 Heath commits to one of the largest bump to bars known to skaters. The board leaves his feet with about a foot of distance in between and he still tries to stick it, only to be thrown into the ground when he couldn't roll away. (Huge props to Colin Provost for 180'ing over this beast!)
Looking at Heath's most recent footage (just before his "retirement") from Stay Gold in his B-Sides, we see Heath skidding down a street sidewalk at 0:34 for way too long as he tries his flying line downhill and kickflips over the fire hydrant. At 1:47 you'll see Heath take some hefty slams as he battle his brick rail back tail backside flip. And starting around 8:27 are a series of bails when Heath was conquering the Mega Ramp. While Heath's bails from his video parts may not have been as gruesome as some other dudes', they are extremely memorable for the spot, for Heath's painful reactions, and simply because of the energy that Heath and his filmers create when they're on a mission. Just adding to that, how many street guys can actually say they broke their collarbone skating the Mega and still got the trick afterwards?
Justin "Figgy" Figueroa without a doubt skates some gnarly rails. The fact that I've seen him in more torn up, shredded T-shirts than whole ones should demonstrate that. Not only that but his hands are always cut up from the battles he must go through for his difficult tricks. He's a pretty big dude so when he's tossing his carcass down some hefty rails and something goes wrong, the results are rather sketchy.
Though the clip is fairly old by now, the video above from a Skate Rock tour gives a nice view of the bone-jarring thud you hear when Figgy slams hard. Ankles, face, just a full body blow. Try not to grimace.
Figgy's stand-out part in Stay Gold was extremely rad because he skated so hard to get his gnarly tricks. All of Figgy's B-Sides from Stay Gold are great to watch for both the makes and the bails, but the main falls for me include the couple harsh and fast slams on the long tre flip at 1:51, the broken ankle and weird bending of his leg while trying to switch flip the ATL 5 block at 3:28, and the horrible sound of the bashed head on the front feeble bail at 4:19 where he just so happened to get a board to the head as well. Insult to injury. There's also a smith grind from the part where Figgy sacks the curved rail rather nicely that's fully explained here; the spot is also carried into the next part...
From Stay Gold to Bake and Destroy, Figgy didn't stop working and skating really hard. Right away you see the cut up arms and hands at the start of the part immediately followed by two gruesome bails involving some skidding on the ground and that impactful thump that never sounds good. The giant gash in his hand seals the deal. Getting totally flipped over the rail at 0:46 to the point where his legs just add to the weight crushing his head and neck into the ground adds to Figgy's list of rough bails.
When you look at the number of skate videos that have used songs by Edward Sharpe & The Magnetic Zeros (who I will call ESTMZ for short here) on Skatevideosite.com, the long list is quite stunning. But there's a reason for the madness (pun intended as Kenny Hoyle will explain) because ESTMZ simply produces great music for skate videos. Mixing qualities that make videos memorable and epic at the same time, the music makes you feel happy while watching the skating but excited too for the trick progression throughout the part.
If I remember correctly, the first time I heard ESTMZ was the heavily-used-in-skate-video song "40 Day Dream" through Addie Fridy's Mag Minute. The part came out a good 3/4 years ago I think but The Skateboard Mag re-released it this year. What caught me off guard was just how many bangers Addie kept coming out with, even in the quieter verse of the song. The slo-mo's near the end of his Mag Minute matched the hype from the good-feeling refrain and the double-take on his nutty ender goes hand-in-hand with the double-take on the final words: "Ohhh oh, I could die". (What's crazy to me is that while this part is pretty old by now, for these day's terms, it's still super gnarly. I'm surprised Addie is just now coming up on flow with Expedition.)
My second experience with "40 Day Dream" was through RVK's Younited Nations entry to the Berrics a few years back. But the defining video part for this song would be Kenny Hoyle's turning pro part in Expedition's Madness. The introduction as Rob Welsh leaves Kenny in the dirt to shovel out his first pro model is ideal: short enough that you don't start begging for the skating to be back, funny with the solid acting from the Expedition crew, and meaningful enough to the unleashing of the new pro. Kenny's few stomps on the dirt patch covering his board cue the fade in of the music, which slowly amplifies to Kenny's opening line of buttery ledge tricks. The first "Ahhh-ah!" at about 1:38 is timed out perfectly with Kenny's line in that clip: a sick flick on a nollie tre and a cruising no comply together build up with the music and then unleash with a huge frontside half cab flip at full energy. The held out "yeahh" at 3:55 on the varial heel across the long Chinese street gap works really well. But probably my favorite clip is right after when Kenny switch heelflips into a manual and the music momentarily is silent, suspending the suspense perfectly only to have Kenny switch 360 flip out! That culmination of excitement was too awesome so that every one of Kenny's following bangers is just made that much better. The quick cut to black after his ender and the short cut off on the music also leave that stunned feel as to what just went down.
ESTMZ's radio-popular song "Home" was featured in Lakai's Am I Am feature, with Vincent Alvarez, Riley Hawk, Raven Tershy, and Daniel Espinoza. The song was the last song used and goodness did it do a great job of closing out the video. The skating by these four dudes was heavy (enough to have 3 of them be pro by now, and arguably Riley should be as well) and "Home" created that really epic feeling with every trick going down.
Walker Ryan skated to ESTMZ's "I Don't Wanna Pray" in Organika's Grow With Us. The very beginning seemed rather quiet, but as soon as the upbeat tempo starts, you just want to start snapping your fingers along with it. It helps that Walker keeps it playful with his first few clips: 180ing into a bus after landing his grind and cruising along a sick DIY bank spot and even skating some tree branches. Walker's positive attitude shows through his skating and this song could not fit better to bring that out. The whole part takes his great skating and leaves you feeling impressed and happy at the same time. When the song quiets down again at about 2:58, it highlights all of his pretty crazy manny tricks. It brings in feelings of amazement that all work up to Walker's insane switch backside flip over the bump to bar ender. Satisfaction completely guaranteed by the experience.
Lastly, with one of the most epic video parts in recent memory, Andrew Reynolds skating to ESTMZ's "Om Nashi Me" in Stay Gold (see above). The introduction fills you with pure joy: visually Reynolds skating around his backyard and playing with his daughter is complemented by the song's cheerful introductory chords. So as soon as the music builds up from the intro and Reynolds frontside half cab flips Carlsbad, you know the part's going to be magical. The song provides that really epic video feel as all the tricks are going down. After he nollie noseslides a gnarly rail at about 3:08 and gets the elated high five from Herman, the music calms down a tad. At this point, while watching Stay Gold with my friend for the first time, we literally remained speechless with our eyes glued to the screen watching legendary spot after legendary spot be crushed. The music matched the compilation of tricks in a way that left me with feelings of pure awe. And when Reynolds kickflips the UC Davis gap at the end, the final melodies from "Om Nashi Me" make the kickflip feel like the battle has been won and celebration is in order. Exactly how an epic video part should conclude.
By now, everyone's probably watched the new Emerica MADE video at least ten times by now and has witnessed the full-speed all out destruction left by Brandon Westgate. So if you don't know, now you know. But for those that knew already, it's clearly understood that Brandon Westgate is a spot-slaughtering machine. His extreme pop and fearlessness mixed with his ability to adapt to the harshest of surfaces has allowed him to set new standards for what spots can be skated, even if no one else will step up to those spots in a while. Below are a good deal of tricks that Brandon has made that has opened up new spots to skate or new ways to skate a spot.
In Zoo York's State of Mind he skate three spots in a row at 0:20 going UP instead of down (NYC Black Hubbas, the loading dock gap, and the tapered pyramid ledge spot). In Emerica's Stay Gold (above), Brandon finds a really innovative way to skate the manny banks at 0:48; no one's ever looked at the spot as actually using both banks together. Even ollieing into the bank at 1:00 was quite a new look at the spot. The SF line at 2:35 with the two stairway ollies going extremely fast was the first of many visits to that spot for ridiculous lines that only Brandon could do. At 3:10 Brandon basically ollies the length of a house over a parking railing nonetheless and lands pretty far down in a slope. There's a gap to rail at 4:13 that Brandon lipslides that I'm pretty sure hadn't been skated before and other than Alex Olsen recently in Pretty Sweet still hasn't been touched. And then there's the ollie up at 4:19 that is just incomprehensible.
Soon after Stay Gold, Brandon came out with his Emerica Shoe Part where he finds another unique way to fly down the hills of SF at 0:46 with an alleyway ollie to finish the line. In the line at 1:54, Brandon finishes off a sweet line by 50-50ing a shoulder high rail off a natural sidewalk kicker. In a short clip of Brandon just Talking about the Westgate, he skates up two kinks of a pretty legit hubba. Definitely hasn't been done up something as legitimately kinked as that. Then there's Brandon's Real Street part where his first tricks involve him ollieing up onto an insane ledge all from a little sidewalk curb cut and then out over both the street and stairway. In his Mini-Bangin at the Berrics, Brandon 180s where no skater has before because no one would think of going from the 5 stair section out and over the tall bar off the far side of the bump section.
In Zoo York's latest promo video of True East, Brandon hits a super sketchy step up gap at 6:30 that clearly looks unskateable. He chooses to backside flip up it. Directly after that he ollies over the extremely tall bump to bar in ATL that I doubt no one else will hit in a while. And of course the ender ollie in Pittsburgh at 7:22 that is the definitive combination of sketchiness and gnarliness. No sane skater in their wildest dreams would ever picture ollieing something like that.
Finally, in Emerica's MADE Vol. 1, Brandon continues with his ridiculous SF sidewalk lines that only he can see with his experience there. There's a huge 180 over a flower patch after a quick drop down about an 8 stair. The crazy part of this would just be to visualize where in the world he could get speed from; dropping down the stairs beforehand does not seem like an option until Westgate does it. When the music first calms down for a little there's a very tall, sketchy curved ledge that drops down into another crusty hubba that he powers a 50-50 through backside. Later on in the part, Brandon ollies over a tall black pole off of a sidewalk bump (that blends into the background so a double take is usually necessary) that is unlikely for anyone else to even get the courage to skate straight on. There's the gigantic bump to bar against the full brick wall near the end that seems super hard just to keep speed up through, much less pop and land way down below. And of course the van-tow-in loading dock ollie up that defies all gravity. But of course Westgate follows his own laws of gravity.
Emerica knows how to make me smile. Just starting off with the sound of running water mixed with "Om Nashi Me" from E.S. and the Magnetic Zeros provides that soothing feeling, which is only amplified by Andrew enjoying time with his daughter while cruising around his backyard park. It's the same happiness displayed here in the intro that you later feel with every trick as Reynolds somehow defies the laws of aging and effortlessly crushes skateboarding's largest and most historical gaps. When a part starts with a frontside half cab flip down Carlsbad (later followed by a switch back heel down it as well at 2:19), you're instantly hooked and understand exactly why he's The Boss. I could probably write about every clip with how perfectly it contributes to this epic part as a whole. (Don't worry, I won't.) But Reynolds comes through with the ideal balance of heelflip tricks with his iconic [frontside] kickflips, super solid lines that show his powerful style and pop, and the nice array of handrail/ledge/gap tricks we all love him for. For some specifics, the nollie inward heel (to close a line nonetheless) at 1:27 and the fakie tre down the same gap are two of my favorite tricks in this part for the way Reynolds flicks and catches both. When the music changes at 3:13, I felt a definitive change in the part where everything that follows was nothing short of an absolute banger. This was a hard statement to make considering all that has already happened, but when I watched this for the first time with my friend Steve, we just sat in silence awestruck at every clip to come for the rest of the part. Getting two clips at a few of these spots, Reynolds hits the big ones: Wallenberg, the ATL 5 block, Bercy 5, Hollywood High 16, UC Davis Ivy Gap. Every single trick here is utter perfection. But you wouldn't expect anything less from The Boss.
