Showing posts with label Mike Mo Capaldi. Show all posts
Showing posts with label Mike Mo Capaldi. Show all posts

Saturday, June 21, 2014

Best of BATB

After finally getting through all of the battles from the past 7 years of BATB, here are my top 5 favorite battles:
(Coming so late in the week, it felt more appropriate to consolidate the High Five into one post.)

5. BATB 6 Round 2 - Morgan Smith vs. Eric Koston


Koston's T-to-nothing comeback is amazing. Everyone knows that Eric is always pretty light-hearted when it comes to his skating, never taking things too seriously, while still being one of the best skaters alive. So messing up 4 tricks that you know he has is not the most uplifting for the viewers. But for the same reason he missed those, you can never count him out just because he's always got surprises. After Morgan also misses a couple of unlucky ones, Koston pulls out the half cab late shove and switch laser to change the game to sudden death. Soon after that there's a string of tricks by Morgan (starting with a nollie big heel) that could get anyone out. But Koston matches every single one of them, all while the game is at T-T. Along with The Chief's reactions, this is the portion of the game that builds the excitement to make the game so great. When Koston messes up the first fakie big heel and says, "Hold on, I can finish that," you know he's found his groove at this point. A missed frontside cab heel by Morgan and a fakie laser by Koston later, and the crazy game comes to a finish.


4. BATB 1 Semifinals - Mike Mo Capaldi vs. Billy Marks



I first started checking out the Berrics sometime either in Round 2 or 3 of BATB1. By the time Finals night rolled around, I was already checking the site daily and keeping up with everything to do with BATB. At the time, this battle was absolutely unreal to watch, and it's still pretty nutty today. Seeing Billy match the fakie bigger flip, the cab big flip, and the nollie laser (flawlessly) was not expected 7 years ago. And also watching Billy find out Mo's multiple flip weakness (though Mo was so close on that triple flip!) and pulling out the old school half heel late back foot flip was pretty bonkers. At the end when it was T-T, seeing the nollie back heel 360 as a finisher was certainly crazy, but seeing Billy come so close and just slip out on the trick was even harder to believe. Needless to say, this game holds a beloved place in the top battles of BATB history. 



The concept of Pros vs. Joes alone was pretty intriguing, especially to see how these Joes could handle the pressure of a broadcasted and heavily watched game of skate. It's pretty clear that there are tons of "Joes" out there with the tricks to take down any pro, but to bring them to a stage like The Berrics is a whole different story. Enter Cody Cepeda. From the moment he opened up the whole contest for the interweb playing Trent McClung, it was pretty easy to tell that he had nerves of steel and a determination like no other. Of course he has all the "basic" tricks too, which he brought out later in defeating Shane and Tom, but he has double/triple flip variations for days along with some other flatground bangers as well. So when he led the underdog story to the Championship at BATB7, it was truly a sight to behold. Whether it was the live webcast and stoked crowd, the touching dedication to the Romano family, having his Recruit premiere just before the final match, or the fact that he shutout Luan Oliveira, everything contributed to the breathtaking vibes of that special Championship battle. And it's not just Cody's whole story that made this such a memorable battle, the skating was sick too! I doubt anyone expected Luan to match all those double flip variations that Cody threw at him. It's hard not to explode in joy just like the crowd when Luan somehow pulled out the pressure heelflip and the nollie back double heel to keep the game going. Even Cody was super stoked to see that! But in the end, there can only be one winner...


2. BATB 6 Championship -  PJ Ladd vs. Paul Rodriguez 


What can I say about this game? It's super long, always good. It covers almost all the "basic" tricks you can think of, always good. It has some pretty epic matched tricks, always good. It's just straight up one of the most solid games in every which way. Being handled by two teammates to decide the winner between Regular vs. Goofy also helps make the occasion precious. Then throw in the fact that these two met in the BATB3 Championship as well, where P-Rod got PJ on tricks like the big spin heelflip, the laser flip, and the nollie late front foot flip to win the game. What makes this game so epic is that PJ matches those with no problem here, along with some of P-Rod's new ones like a frontside nollie double kickflip. But P-Rod's varial double heelflip? Now that's a sure letter and a pretty insane trick when you think about it. (Props to Chris Chann for knocking out Chris Cole with the switch version of the trick!) On the other side, P-Rod matches some of PJ's crazy tricks like the 540 flip, the frontside cab heelflip (with pop!), and especially the the fakie 540 flip on the second try to keep the game alive. That moment is a pretty definitive feeling of elation for watching a spectacular match. After P-Rod tries to make history and finish the game with a backside nollie late front foot flip, PJ seals the deal with fakie big spin inward heelflip. All in all, just an incredible battle.


1. BATB 6 Round 3 - Moose vs. PJ Ladd



Just like the BATB 6 Championship, this is a long game filled with all the basic tricks and even some miraculous ones as well. Now there are a few reasons why this game is my favorite one ever. First of all, it's pretty comical how Moose got letters on the 4 inward heelflips and a fakie big spin inward heel. Moose landed just about every other trick possible in the game, so it's very interesting to see his very concise weakness. But it's nearly impossible to be mad at that because of how the rest of the game plays out. Secondly, the frontside heelflip 360. The trick alone is worth so much to the BATB. Not only am I pretty sure that it was the only one ever done in BATB, but it was done against PJ Ladd himself. That's like trying to get The Boss a letter on a frontside flip or Jason Lee on a 360 flip. And lastly, what I'd like to call the caballerial section starting around 3:42 in the above video. While the front heel 360 is included in here, here are the tricks Moose sets: cab double flip, cab big spin, fakie bigger flip, cab big flip, nollie big flip, nollie bigger flip, nollie double heelflip, frontside cab kickflip, nollie back heel 360, and a little bit later a triple kickflip. PJ LANDS THEM ALL. And even after that, Moose matches PJ on a cab heelflip while on the brink of elimination. These are the gnarliest tricks in a game of skate, done back to back to back by both dudes. If that doesn't warrant this game getting praise for decades to come, I don't know what would. 

Best of BATB: Honorable Mention

It's so hard to create a High Five for all of the BATB games, so I had no choice but to create a list of battles worthy of Honorable Mention.

For starters, here are just some of my favorite moments from all the battles:
-Chris Roberts vs. Steve Berra in BATB1: Mikey and Eric as the siamese refs with some priceless opening theatrics
-Peter Ramondetta vs. Cory Kennedy in BATB2: Peter nailing two of Cory's absurd tricks to stay alive
-Cory Kennedy vs. Torey Pudwill in BATB2 for 3rd place: Cory easily had the most cutting edge group of 5 circus tricks to sweep Torey (fs nollie late flip, nollie heel spinout, switch backside double flip, triple flip, nollie big flip 360), but Torey came ridiculously close to them all and even landed the other super hard ones in between
-Felipe Gustavo vs. Jimmy Carlin in BATB4: Felipe's insane steeze will always be remembered
-Dennis Busenitz vs. Eric Koston in BATB4: Dennis's reaction to fakie inward heel is great, then proceeds to do it like it's nothing
-Torey Pudwill vs. Luan Oliveira in BATB4: without a doubt the most POPular game ever. Geoff says it at the start, "...must pop his trick. I don't think these guys are gonna have that problem."
-Davis Torgerson's surprise come up in BATB 4 against SewaShane, and Ronnie won't be forgotten anytime soon.
-Jimmy Carlin's T-to-nothing comeback against Sebo Walker in BATB5, fakie big heels in both directions included, was pretty epic.

Now for just some lengthy, solid overall games of skate, with some haymaker tricks as well:
-Ishod Wair vs. Shane O'Neill in BATB4: seeing Shane nail the switch frontside bigger spin, the switch big heel, and the laser flip (and half cab heel) to stay alive were terrific.
-Tom Asta vs. Alex Mizurov in BATB4: the switch laser match was awesome.
-Morgan Smith vs. Alex Mizurov in BATB: Morgan staying alive (before winning the whole thing) on that backside double flip and nollie back heel 360 after two tries each was pretty awesome
-PJ Ladd vs. Trent McClung  in BATB 5: super long game with Trent somehow staying alive on the nollie bigger flip
-Chris Cole vs. Billy Marks in BATB 5: the triple flip, half heelflip late back foot kickflip, and the 360 underflip were all matched between these two
-Chris Cole vs. Dennis Busenitz in BATB2: Dennis landing the cab big flip, the blizzard flip (with Reda's priceless reaction), and nollie bs flip 360 were sweet, not to mention Cole's nice comeback as well.

And while the Rematch between Koston and Donovan Strain along with the very original pre-BATB game between Koston and Mike Mo are both unsanctioned, they're both legendary games at this point.

Just about every single game from a BATB Finals night has the crowd's bustling energy and some crazy tricks to make it fun to watch, but there are just too many to list. However, I need to give a special recognition to the BATB 2 Finals, Chris Cole vs. Paul Rodriguez. The moment when Chris Cole has his second try on the fakie inward heel and then proceeds to comeback with 3 straight tricks to win just helps to depict his relentlessness and legendary status. And P-Rod's smile after barely missing the back 360 kickflip is a perfect representation of his pure excitement of almost landing a hard trick and his gracious acceptance of defeat in a well-skated championship.


Sunday, December 1, 2013

Next Week: Most Memorable Mid-Line Trick

Just about every street video part has at least one or two lines in there to help coincide with the mellower verses of the song or to fill up time in the part. Or maybe some guys are just really good at stringing together awesome tricks back to back like that. Regardless, skaters need to fill in the flatground space between obstacles so you end up with your very common mid-line tricks. (By mid-line tricks I'm keeping it contained to flatground fliptricks to fill the space in between stairs, ledges, rails, etc. Basically a flip trick that doesn't involve grinds/slides or a significant drop.) Common tricks are obviously the comfortable and easy-on-the-eyes 360 flip, the nollie heelflip, nollie kickflip, fakie kickflip, and even a lot of backside/frontside heelflip/kickflip variations to switch stances without simply changing the pushing foot. Those ones are seen a bit too much these days with just about any street skater to the point where they're so common they almost feel like time-occupying filler tricks. Of course there are dudes that can make these tricks look beautiful through pop or just a stylish flick, but nonetheless, a surprising out of the norm trick in the middle of a line really sticks out. Just as your mind is about to zone out in preparation for another tre flip before or after some flatground pushing, there are those unique mid-line tricks that jump out and startle you, making the line much more memorable.
This is exactly what will be looked at this week. I may be missing some lines as I go, but the next five days will cover the ones that stick out the most to me now.

And here are a few extras that deserve some mentioning:
Kevin Phelps recently dropped a new part via Thrasher that was filled with some crazy clips and awesome East Coast skating. Click on the link and you'll see one line that clearly stuck out to me when I first watched the part. After starting the line with a stylish fakie 360 flip, Kevin comes through with a half cab late back foot flip that I totally did not see coming. I thought a half cab flip was surely on its way, but the late flip worked very well with Kevin's nonchalance.
Sewa Kroetkov does something similar in This Is Not A Test. At the pretty well known playground benches, he hits one bench and then sets up as if he were to pop a super high switch heelflip. Nope. Instead he does what I'd say is now his signature trick (or at least a variation of it): switch ollie late kickflip. Considering that you usually see the nollie version, this is definitely a trick you wouldn't expect. If the trick itself isn't shocking enough, the height and cleanliness with which he does it should remedy that. (He also does the nollie version at the same benches at 1:16.)
Similar to Sewa getting two lines at that bench spot, Mike Mo Capaldi hits up a schoolyard in Fully Flared with a rad line - ollie late back foot varial flip, nollie back heel, then a switch kickflip down a set of stairs - and then revisits the same schoolyard in Pretty Sweet with a very memorable line. Starting off with a fakie big heel (always a sweet trick), Mike Mo sets up for what looks like a tre flip at first but I can only imagine will be something wizardly, and effortlessly flicks his impossible late flip. Then he closes with a frontside flip down the set. But the impossible late flip is something I doubt will be seen mid-line from anyone else, or even in a part at all to be fair. Seeing Mike Mo implement his signature flatground trick into a line for his part was quite satisfying. And even though the trick from Mo himself isn't that surprising to see, actually seeing it mid-line is not something you'd expect.

Wednesday, November 6, 2013

Best Music for a Part #3: Fitz and the Tantrums

There's something about the music that I've heard from Fitz and the Tantrums that simply stays in my memory. The skate videos utilizing their music were all filled with great skating, but nothing in particular that would keep me daydreaming about those parts (such as Westgate's street annihilation in Made or Guy Mariano's technical NBDs in Pretty Sweet). Yet the upbeat songs and good selection of mood changes, for lack of a better description, allow for full-on enjoyment of the video parts.
The first time I remember getting hooked to a video was with Fitz and the Tantrums' "Moneygrabber" in Kenny Hoyle's Madness Bonus Part (above). Kenny's style and trick selection is easily one of my favorites but despite getting used to watching his tricks again and again, I just had to keep rewatching this video so I could repeatedly experience the huge bump to bar heelflip as the percussion dropped. And right as the first verse starts Kenny comes out with a sweet line that keeps the excitement going while maintaining the soothing vibes from the quieter music. Then the switch back heel at 0:50 perfectly times the slow motion with a new underlining sound for the music as it builds back up. Another reason why I was so intrigued by this bonus part and the song was the strange skip at 1:32 that I knew felt out of place at first. Regardless, after wanting to hear the song in full, I would always picture Kenny's great skating when I thought of this melody.
Now most people probably know "Moneygrabber" from Mike Mo's part in Pretty Sweet, which I must say was an instant favorite of mine in great part because of this song. The clever ground-stomping intro as the song fades in depicts Mike Mo's effortless skill all too well. It's cool to see when that first verse comes in (which apparently is the beckoning for the first line in the video part), Mike Mo takes it back to the ledges we know him for. And then at the first major swell for the chorus, he comes out with a pretty surprising switch nosegrind fakie front 360 shove out at a green schoolyard ledge, which sticks out clearly in my mind. Same thing happens when the next chorus comes around: Mike Mo starts off a 3-trick downhill line at a school that he also skated in Fully Flared with a fakie big heel, flawlessly following that up with his impossible late flip, and finishing the line down a nice set of stairs with a gorgeous frontside flip. And at the part in the song with the 1,2,3 count-ups, Mo's trick selection gets rather crazy but is amplified by its pairing with the song for what is my favorite segment of his part.
More recently, Fitz and the Tantrums had their song "L.O.V." featured in Bones New Ground for Trent and Trevor McClung's shared part. Throughout it all, the song is very upbeat and brings out the positive mental attitudes that the brothers have. While showing off their impressive abilities they appear like they're having fun in the process, which is helped by the song. I like Trevor's 5-0 into the long, steep bank at 15:00 because his rolling away speed wobbles match the singing of "tryy-yy". Just a little gimmick that helped me enjoy the part even more. And directly after, the timing of the drums (leaving and then entering) for Trevor's switch big flip down Carlsbad couldn't have been better, as the epicness of the trick is made to stand out. Then at the end as the music slowly fades out, the saxophone solo cordially invites the two bros to a free-for-all of heavy tricks...and they accepted.
Just like in the other parts, Josh Anderson's part in Organika's latest offering of Grow With Us is really made  memorable because of the Fitz and the Tantrums' "Hey Mr. President". The first few piano chords as Josh ollies over the manhole cover and powerslides down the street are extremely inviting for the viewer. The split second of silence when Josh locks into his 360 flip nose stall at a popular ditch around the 4:00 mark acts as a moment for the viewer to catch their breath out of surprise at a pretty rad trick on a rough bank. On top of that, the chanting of "Hey!" and "Ooh!" work well as solid moments for Josh to comfortably stomp his tricks down throughout the part; they also happen to emphasize his slam around 4:42, but it all adds to the likeability of the part.