Best Music for a Part #4: Future Islands

A lot of types of indie/rock music seem to work rather well in skateboarding. Whether it's the beats that tricks are landed to or the memorable melodies that climax with a banging trick, something about this genre brings out the right vibes in a skate video. One band that seems to have a solid collection of video parts is Future Islands.
I first remember hearing Future Islands through Austyn Gillette's awesome Unlimited part last year (above). As soon as images of Austyn's travels start popping up with the opening beat and entertaining jingle of "Tin Man", you're instantly captivated. From the start, as the part was advertised to be, you can tell that the next 7 minutes are going to be a visual journey simply from the tune and the visuals. (To add to that, Austyn came out with some pretty incredible skating as well, which is why this part turned out so great all around.) The first major change in chords around 1:56 accompanies Austyn's super long front board very well: "as time goes by..." so does Austyn sliding along the rail. The rest of the part is extremely well-edited and keeps this very appealing theme throughout it all, the music keeping you in a trance as Austyn smoothly and powerfully skates by.
Now the first time most people probably heard of Future Islands was with their song "Balance" through this part from Jason Park. Creativity, style, insane board control, etc. You name it, Jason Park has it. If only this guy could continue producing footage like this in the skateboarding spotlight. Personally, I first heard this same song in Lakai's "A Postcard from Paris" feature. Much like in Unlimited, the song works well here with the beautiful scenery and adds to the well-edited piece. Between the spots and the skating from the sick Lakai crew, Future Islands knows how to bring out the cheerful vibes from videos like this.
While browsing the many videos online over the past year or so I came upon this clip of Steve Stinson skating in his hometown park in Mililani, HI. The edit was to Future Islands' "Close to None" and again works very well. Some cool editing effects and very solid park skating from Steve are made very graceful and majestic with the song's melody and consistent bass.
Also, Joey Brezinski dropped an incredible part for Cliche's Bon Voyage this past spring. (Unfortunately I think all videos of that part were taken down from the internet.) Not only were Joey's manual combos and lines yet another step up from his last part, but the whole part exuded a positive feeling because of Future Islands' "Vireo's Eye". It's a very upbeat song and complements Joey's constant flipping in or shove-itting out of manuals and such. Bon Voyage as a whole was definitely well-edited (shoutout to Boris Proust!) but this was a stand out part for sure.

Video of Last Week: Rodney Mullen TEDxTalks On Getting Up Again

There were a great deal of solid skate videos this week, but I must give top honors to Rodney Mullen's recent TEDxTalk. Even though the video came out prior to this past week, I didn't see it mentioned until this week and it is just too critical of a video to pass up mentioning.
Rodney has to be one of the brightest people on this planet. Finding enough physical and mental strength to progress any physical activity like Rodney has with skateboarding is already a feat in itself, which explains the whole industry behind professional athletes. But it takes a truly brilliant mind to pick apart at that psychological/physical teamwork to express the process behind doing what we do as skaters. I'm sure everyone's had those instantaneous fleeting thoughts right before you pop a trick that result in the board being kicked away and busting yourself, and just like Rodney said, you tell yourself that you're not going to do that the next time. I believe Rodney called it a "cognitive override" when he referred to getting back up again just to conquer the trick. His ability to put into words the evanescent thoughts that fly around in our heads to analyze skateboarders like no one else has before is remarkable. Personally I really enjoyed hearing him discuss skateboarding as a language, which is a relatively common connection, but going further to describe how "environmental components" shape our "physical dialect", a comparison I've never thought of before but really do admire now.
Rodney has intellectually conquered his body to the point of knowing his limits when it comes to ripping apart scar tissue, and through that has converted his physical setback into the most legitimate switching of stance possible for skateboarders. At least, that's what is currently considered because who knows what skaters will accomplish ten years from now...much like how Rodney established that learning tricks through others is merely learning that tricks are possible after being materialized from some innovative skater's thoughts.
I have boundless respect for Rodney and this video captures a lot of the reasons why he is one of my greatest inspirations.

On a more standard level of skateboarding videos, this week had a nice dosage, so listed below are some videos worthy of views:
Pat Rumney and Taylor Kirby's shared bonus part in the Deathwish Video, spawned after this week's welcome video for Pat onto Supra Footwear.
JP Souza full video part via Thrasher
Dashawn Jordan's pretty crazy raw clips
Alex Schmidt's exclusive part for The Skateboard Mag
Bert Wootton's Sequel video part

And last but not least, congrats to Sammy Winter for turning pro for Cliche! I love the whole Cliche squad and Sammy is definitely one of the sickest underrated dudes out there. Also in honor of Sammy turning pro this week, we have a short film by the one and only French Fred, Sammy's remixed part by Manolo from Bon Voyage, as well as his original part from the Cliche vid.

Switch Backside Kickflips #1: Lucas Puig

Lucas Puig is my other top favorite skater with Walker Ryan, and even though there might be some first-name bias in there, just about every aspect about him is unquestionably a factor to being my favorite skater. Asides from the heavy bag of tricks, one of the best natural styles in skating, and the photogenic European backdrop for his skating, Lucas always exudes those good vibes in his videos combining just the right amount of motivation for landing tricks with equal amounts of just having fun and messing around.
Besides that, when I first started getting into skateboarding I looked up skaters names Lucas and obviously found this guy. It just so happened to be a little after the release of Fully Flared. Of course I found Lucas's part and I instantly remembered his switch backside flip over the rail at 1:38. Not only was the trick in itself a complete shocker to me at the time, but the perfect landing and unwinding of his arms with the roll away was permanently ingrained into my memory. At 2:51, Lucas starts off a real OG line to match the song change with a switch backside flip there down some stairs followed by precision tricks in a very flowy line. It's hard to explain why I could watch that trick from Lucas all day, but when something is aesthetically pleasing as that it usually doesn't have an explanation. One thing I do know is that I've seen a good amount of ever-so-slight variations in the style of Lucas's trick throughout his video parts and clips, which makes the unpredictability of how the trick will appear that much more appealing.
To show even more of Lucas's mastery of the trick, here are some random web clips that include it:
At 0:27 in the Unseen Fully Flared Clips from French Fred, Lucas switch backside flips from kicker to kicker with yet another gorgeous demonstration of the trick. With his Helas homies in the DALAVAS Throwaway footage, Lucas switch backside flips at 0:26 off a kicker and over a street sign twice, because perfection comes in twos of course. In the Adidas at LES NYC clip, he pops a real nice one at 1:50 over the big apple.
Now take a look at Lucas's solid history of video parts, mostly through Cliche:
In Bon Appetit, he nails one at 3:32 over a crusty looking street gap. In Cle, Lucas pops a really solid switch backside flip at 3:55 over picnic table, something I don't remember seeing at all in the latest picnic table trick craze. And then at 3:59 he tweaks the trick out with his own personal touch over the hip of a steep bank. For La Cliche Promo, Lucas shows that he can handle this trick down some pretty tall stairs (and over a rail even) at 1:24 with elegant stomping of the trick, and then take it to the tech side too at 8:08 out of a switch back tail at Venice Beach. In Lucas's Kurds Are My Heroes part (above) he beautifully executes a switch backside flip in the middle of the line at 4:57 over yellow trash can, and then getting even more tech than before by switch backside flipping into a 5-0 grind super close to the wall at 5:18 for his ender. In his TWS Pro Spotlight Video he does the trick over at 1:35 over a California rail and across a sick street gap at 2:39. And most recently in Bon Voyage, Lucas switch backside flips over a flatground block to start a line (which ends with a back smith backside flip!), all the while skating very smoothly and speedily. Later on he switch backside flips a gritty street gap in camo pants, further proving that he is the king of his own style.

Manny Maniacs #1: Joey Brezinski

When I think of manuals, I think of Joey Brezinski. His abilities are one of a kind and it takes his creativity (and goofiness) to come up with the video parts he does.  And even though they are filled with manual tricks, they all are interesting because Joey knows how to keep his tricks varied enough. I mean he even started a whole contest for manuals! Pretty much everyone would agree that Joey is the king (or at least one of the kings) of manuals so I will just post the three parts from him that really cemented my astonishment with his manuals tricks.
Above, in Hello Jojo, he keeps it fun at 0:53 with a mini nosepick 270 manual (NBD for sure!), and personal favorites at 1:12 and 3:01 with a front 180 fakie manual fakie frontside 360 shove out and a manual double heelflip out respectively. (The setup on the switch flip out of the 180 switch manny just before the double heel clip is also pretty awesome.) And the manual up and down line at 3:44 strikes the perfect balance in fun, quick action and skilled control of spinning, flipping, and balancing.
In his Right Foot Forward part for Transworld, he comes out swinging right from the start with a lot of cool combinations (manuals and ledges), throwing in tricks midway through his manuals or just continuing the lines when one good manny trick isn't enough apparently.  The inward heel nose manual at 1:22 looks quite nice and the ledge is rather high too, and then the manual wallride nose manual at 1:39 is also pretty awesome.  It takes a lot of control for that front blunt fakie manual fs half cab out at 2:40.  3:18 - 3:29 has a series of technically impressive and fun to watch manual combos, just like the body varials in the line at 3:52. And the last trick is also really crazy with how he manages to smoothly put together three tricks in one.
In his latest video part in Cliche's Bon Voyage, there are so many great manual tricks, as expected.  So I will let the clever lines and crazy combos speak for themselves. There's nothing quite like watching Joey skate.

Ams that Should be Pro #5: Lem Villemin

This post may be coming late, but so would Lem Villemin's name on a deck.  This dude's been around for quite some time now and word of Lem going pro was started years ago back when he had something possibly going on with Chocolate.  His part in the Adidas Diagonal video (above) is an immaculate display of proper, stylish skateboarding, which has been out for 4 years now.  Lem was also one of the original recruits at the Berrics, even before his near perfect part with Adidas, and even back then I'm pretty sure I remember talks of "Lem should turn pro soon".  Despite some injuries which has taken Lem off the radar lately, he has been on Cliche for about two years now and has come out with a solid mini part for Cliche as well as some always graceful and much appreciated footage in their new video Bon Voyage.  Basically put: anything Lem comes out with, however rare these days, is pure gold and it's quality footage (definitely not quantity as of late) that should support his turning pro campaign.  (For the hip-hop/rap listeners, I'd compare Lem to Jay Electronica in that there is considerably very little coverage of either of them, but what is out there in the industry is just a beautiful display.)  I recently heard Lem is doing better from injuries so I'm hoping he's working on stacking some smooth and powerful clips for his turning pro video part soon.