Best Music for a Part #3: Fitz and the Tantrums

There's something about the music that I've heard from Fitz and the Tantrums that simply stays in my memory. The skate videos utilizing their music were all filled with great skating, but nothing in particular that would keep me daydreaming about those parts (such as Westgate's street annihilation in Made or Guy Mariano's technical NBDs in Pretty Sweet). Yet the upbeat songs and good selection of mood changes, for lack of a better description, allow for full-on enjoyment of the video parts.
The first time I remember getting hooked to a video was with Fitz and the Tantrums' "Moneygrabber" in Kenny Hoyle's Madness Bonus Part (above). Kenny's style and trick selection is easily one of my favorites but despite getting used to watching his tricks again and again, I just had to keep rewatching this video so I could repeatedly experience the huge bump to bar heelflip as the percussion dropped. And right as the first verse starts Kenny comes out with a sweet line that keeps the excitement going while maintaining the soothing vibes from the quieter music. Then the switch back heel at 0:50 perfectly times the slow motion with a new underlining sound for the music as it builds back up. Another reason why I was so intrigued by this bonus part and the song was the strange skip at 1:32 that I knew felt out of place at first. Regardless, after wanting to hear the song in full, I would always picture Kenny's great skating when I thought of this melody.
Now most people probably know "Moneygrabber" from Mike Mo's part in Pretty Sweet, which I must say was an instant favorite of mine in great part because of this song. The clever ground-stomping intro as the song fades in depicts Mike Mo's effortless skill all too well. It's cool to see when that first verse comes in (which apparently is the beckoning for the first line in the video part), Mike Mo takes it back to the ledges we know him for. And then at the first major swell for the chorus, he comes out with a pretty surprising switch nosegrind fakie front 360 shove out at a green schoolyard ledge, which sticks out clearly in my mind. Same thing happens when the next chorus comes around: Mike Mo starts off a 3-trick downhill line at a school that he also skated in Fully Flared with a fakie big heel, flawlessly following that up with his impossible late flip, and finishing the line down a nice set of stairs with a gorgeous frontside flip. And at the part in the song with the 1,2,3 count-ups, Mo's trick selection gets rather crazy but is amplified by its pairing with the song for what is my favorite segment of his part.
More recently, Fitz and the Tantrums had their song "L.O.V." featured in Bones New Ground for Trent and Trevor McClung's shared part. Throughout it all, the song is very upbeat and brings out the positive mental attitudes that the brothers have. While showing off their impressive abilities they appear like they're having fun in the process, which is helped by the song. I like Trevor's 5-0 into the long, steep bank at 15:00 because his rolling away speed wobbles match the singing of "tryy-yy". Just a little gimmick that helped me enjoy the part even more. And directly after, the timing of the drums (leaving and then entering) for Trevor's switch big flip down Carlsbad couldn't have been better, as the epicness of the trick is made to stand out. Then at the end as the music slowly fades out, the saxophone solo cordially invites the two bros to a free-for-all of heavy tricks...and they accepted.
Just like in the other parts, Josh Anderson's part in Organika's latest offering of Grow With Us is really made  memorable because of the Fitz and the Tantrums' "Hey Mr. President". The first few piano chords as Josh ollies over the manhole cover and powerslides down the street are extremely inviting for the viewer. The split second of silence when Josh locks into his 360 flip nose stall at a popular ditch around the 4:00 mark acts as a moment for the viewer to catch their breath out of surprise at a pretty rad trick on a rough bank. On top of that, the chanting of "Hey!" and "Ooh!" work well as solid moments for Josh to comfortably stomp his tricks down throughout the part; they also happen to emphasize his slam around 4:42, but it all adds to the likeability of the part.